Skip to main content

Visual vocabulary - Miniature Painting

As the term indicates, miniature paintings are multicolored handmade paintings very small in size. One of the outstanding characteristics of these paintings is the complicated work that provides their distinct identity. The colors used in the paintings emerged from numerous natural sources like vegetables, indigo, precious stones, gold, and silver. artists all around the world convey their respective motives through their paintings, the most familiar theme used in the miniature paintings of India comprises the Ragas, a pattern of musical notes, and religious and mythological stories. These are performed on elements, such as paper and cloth.

 History
Miniature paintings emerged in India around 750 A.D when the Palas ruled over the eastern part of India. Since holy teachings of the Buddha, supported by his images, were written on palm leaves, these paintings became famous. they had to be miniature in character because of area limitation. Around 960 A.D, identical paintings were instructed in the western parts of India by the rulers of the Chalukya Dynasty. During this duration, miniature paintings often portrayed religious themes. With the growth of the Mughal Empire, miniature paintings started rising on a level unknown before. 

Types
Pala school 
The art form circulate across South-East Asia and soon, the Pala style of paintings became prominent in places like Sri Lanka, Nepal, Burma, Tibet, etc. 
Orissa school
The Orissa School of miniature painting came into existence during the 17th century A.D. Though the usage of paper was widespread in India during the 17th century, Orissa School of miniature paintings stuck to its tradition as it continued using palm leaves to display this intricate art form. 
Jain School
One of the earliest schools of miniature paintings in India, the Jain School of painting increased prominence in the 11th century A.D when religious texts like ‘Kalpa Sutra’ and ‘Kalkacharya Katha’ were portrayed in the form of miniature paintings. 
Mughal School
The amalgamation of Indian paintings and Persian miniature paintings gave rise to the Mughal School of miniature painting. Interestingly, Persian miniature paintings were largely influenced by Chinese paintings. The Mughal style of painting flourished from 16th to 18th centuries, especially under the reign of Akbar. Scenes from the royal court, hunting expeditions, wild life and battles were often displayed through these paintings. 
Rajasthani School      
The decline of the Mughal miniature paintings resulted in the rise of the Rajasthani School. Rajasthani School of painting can be further divided into various schools depending on the region they were created in. The Mewar School, Marwar School, Hadoti School, Dhundar School, Kangra and Kullu Schools of art are all part of Rajasthani School of painting. 
Pahari School
Pahari School of miniature painting emerged in the 17th century A.D. These paintings originated in the kingdoms of North India, in the Himalayan region. Influenced by the Mughal School and the Rajasthani School of miniature paintings.
Deccan School 
The Deccan School of miniature painting flourished in places like Ahmednagar, Golconda, Tanjore, Hyderabad, and Bijapur from the 16th to 19th century A.D. The Deccan School of miniature painting was largely influenced by the rich traditions of the Deccan and the religious beliefs of Turkey, Persia, and Iran. These paintings are different from that of their Mughal counterpart. 

Future
Despite what may seem like strict conventions, the miniature tradition is one that often embraced change. ‘The style of painting changed as they made a synthesis’ of different influences,    it’s a very rich and infinite visual vocabulary for artists to explore.

Comments

Popular posts from this blog

An Evolving tradition of Rajasthan - Sanganeri Block print

 A village in the southern part of Jaipur, Rajasthan named Sanganer where the sanganeri block print blossomed. The print is well known for the textile and also for the paper block print.  Hand block print is done in various places and each one adds to the cultural, historical, and geographical influences of the regional variety having a particular style of its own. History It is indicated that the art prevailed since the 12th century but during the 16th and 17th centuries, the craft found its heaven in the sanganer, where it flourished, as the place is ideal with the soft water of Saraswati river, clay, and also desirable for the sun bleach of the fabric. Sanganer is one of the major centers that are highly known for the block prints with bright colors and delicate lines printed against the white background.  During the period of Maharaja Sawai Jai Singh, the patronage of the Jaipur royal family invited Craftsman from Gujarat and Andhra for developing new design

what is Ahimsa silk ?-- Eri silk

Silk makes up only about 0.2% of the world’s textile fabrics production. The demand for silk therefore far outstrips the supply and the market is huge. Something is special about the Eri silk that makes the silk called the queen of textile. The charming Eri silk production is unique to the northeastern states of India, unlike other silk, the thread of Eri silk is reeled, shorter, stapled fibers, like a ball of cotton, and is handspun. Eri culture  The rearing of Eri silkworm is known as Eri culture. Eri is also known as Erandi or Endi. The northeastern state of Assam has been the home of Eri silk. It provides economic activities, especially for rural as well tribal women, making Eri culture part of their economy. They utilize their pastime in rearing silkworms and weaving Eri fabrics using their traditional knowledge. Erik silkworms belong to two species namely samiaRicine and philosamiaReine. PhilosamiaRicine silkworm fed on Castrol leaves and it is

khadi- A Swadishi Fabric of India

Khadi was introduced to the people of undivided India in 1918 in order to achieve self-sufficiency and independence from British textiles. Khadi movement, a socio-cultural narrative, was launched by Gandhiji from the Satyagraha Ashram in May 1915, popularly known as the Sabarmati Ashram, in the Ahmedabad district, Gujarat. Technically, khadi can refer to any natural fabric that is hand-spun and handwoven, be it cotton, silk, jute or wool. While mill-made cloth is essential to satisfy the textile demands of the Indian market, khadi is a precious craft deeply intertwined with India’s story. More importantly, it is highly sustainable. History The word khadhi is derived from khaddar, aterm used for the handspun fabric of India. The origin of khadhi trace back to Indus valley civilization. Evidence of handspun cotton, which makes khadhi ancient. As the year progressed, it found itself named muslin, chintz, and calico. Process Cotton cultivation : cotton