Skip to main content

Glitters with Threads of Gold and Silver Embroidery- Zardozi Embroidery

The kings and the royal have zardozi embroidery ornamentations in their attire.
Elaborately, tent walls, scabbards, wall hanging, and pieces of stuff of elephants and horses zardozi can be seen. Gold and silver threads were used at that time to realize the work addition is the pearls and stones.
History 
The zardozi consists of two Persian terms, zar meaning gold and dozi meaning embroidery. Under the Mughal emperor, Akbar zardozi embroidery took its zenith.
Although zardozi knew now connected to the Persian seeds, especially in the Mughal era, the reality is that this style of embroidery is done in India well before that.
There is a mention of the sacred cloth of gold or hiranya in Reg Veda. There are varied instances of mentions of embroidery as an embellishment on the attire of Gods.
The heavy embroidery on scarves, veils, shawls, and leather items has evidence in written as well as sculpture during the period of Kushan in the 1st century. The painting of Ajanta signifies gold and silver work on garments.
The other source from Jain literature 'Acaranga surta’ in the 6th century has mention of embroidery. From time to time many people have described the elegant embroidery in their work from King Harshavardhana to famous traveler Marco Polo.

Hubs of the embroidery 
The main centers of zardozi present in existing in Lucknow, Bhopal, Hyderabad, Delhi, Agra, Kashmir, Mumbai, Ajme ,and Chennai.
Process 
The process of zardozi embroidery began with commodities required are add a, the wooden framework their tools, included the curved hooks, needles, salmua piece (gold wires) ,sitara, sequences, glass and plastic beads, dabkaa (thread) and kasab.
The design is traced on the fabric and stretched over the wooden frame and then begin the actual work. To pull out the needle work and this process continues till the design completely created.
Identify real zari 
There are few differences between imitation and pure zari. Pure zari is softer and than imitationzari which tends a bit rough and stiff.
The weight of the pure zari is heavy than the imitation one. And most important pure zari is costlier than imitation zari.

Present 
Exclusively embroidery of the royal clients has now been listed as the main trade. Many innovations took place over time and the key role is the availability of various raw materials.
Thus the ancient court and temple embroidery has reached the common man with the efforts of fashion designers the livelihood of the karigars stands its mark and the embroidery relives.

Labels:

Comments

Post a Comment

Popular posts from this blog

Traditional Folk Art - Kantha Embroidery

One of the oldest and most famous forms of Indian embroidery from West Bengal and Orissa. Rural women practice this embroidery and pass it on to generations and it is also a common dowry tradition. These women not only embroidered the Kantha work on appeals but in décor also. The best thing about Kantha is that it didn’t need any additional ornamentation to make it look amazing and the reason it can be used in different forms and for various purposes. History Searching history first story believed that the earliest written record is earlier than 500 years ago. The poet krishnadas kaviraj wrote in his book Sri Sri Chaitanya Charitamrita how Chaitanya’s mother sent a homemade Kantha to her son in Puri. Kantha had quiet beginnings in the rural setting of Bengal and almost vanished in the early 19th century. Another story is believed that Lord Buddha and his discipline use old rugs with different kinds of patchwork to cover themselves and th...
Post a Comment
Read more

The Traditional Craft of Punjab - Phulkari Embroidery

In the 15th century, phulkari embroidery was first begun by the women folk of Punjab. A tradition of Punjab with bright and vibrant colors the phulkari is consist of two words phul means Flowers and kari mean Work. word phulkari means floral work but it is not only restricted to floral designs it also includes various motifs and geometrical patterns and shapes. The embroidery has its charm and is popular not only in India but worldwide.   Origin There are various theories about the origin of phulkari. One among them is embroidery was prevailed in most of India, But survived in Punjab. You can see a glimpse of it in Kashida of Bihar, And some parts of Rajasthan and Gujarat.  Another view is that the embroidery came from Iran, in there it is known as Gulkari. However, pal (1960) notes that both the style phulkari and Gulkari are distant. Ancient texts, folk legends, and literature of Punjab have references of phulkari. In Harshcha...
Post a Comment
Read more

Unusual Art of Himachal Pradesh- Chamba Embroidery

The chamba rumal is an embroidered handicraft that was once promoted in the rule of chamba kingdom. It was a common item of gifts during marriages. The chamba has been registered for protection under TRIPS agreement. It was also listed as “chamba Rumal” under the GI act 1999 of government of India.  History and origin The word Chamba rumal gets it name from chamba hill station in Himachal Pradesh. The chamba rural is originated and flourish during 18th and early 20th century, due to theme being similar to miniature painting, it also known as painting in embroidery.  Chamba rumal embroidery were gifted in the wedding ceremonies and rituals during 17th century. Gradually local craft people, especially woman, began to spread and practice the art.  Stitch techniques   Inspiration for the chamba rumals is derived from the combination of miniature art with embroidery. They are commonly in square or rectangle fabric size. The...
Post a Comment
Read more