Skip to main content

Glitters with Threads of Gold and Silver Embroidery- Zardozi Embroidery

The kings and the royal have zardozi embroidery ornamentations in their attire.Elaborately, tent walls, scabbards, wall hanging, and pieces of stuff of elephants and horses zardozi can be seen. Gold and silver threads were used at that time to realize the work addition is the pearls and stones.
History 
The zardozi consists of two Persian terms, zar meaning gold and dozi meaning embroidery. Under the Mughal emperor, Akbar zardozi embroidery took its zenith. Although zardozi knew now connected to the Persian seeds, especially in the Mughal era, the reality is that this style of embroidery is done in India well before that.
There is a mention of the sacred cloth of gold or hiranya in Reg Veda. There are varied instances of mentions of embroidery as an embellishment on the attire of Gods.
The heavy embroidery on scarves, veils, shawls, and leather items has evidence in written as well as sculpture during the period of Kushan in the 1st century. The painting of Ajanta signifies gold and silver work on garments.
The other source from Jain literature 'Acaranga surta’ in the 6th century has mention of embroidery. From time to time many people have described the elegant embroidery in their work from King Harshavardhana to famous traveler Marco Polo.

Hubs of the embroidery 
The main centers of zardozi present in existing in Lucknow, Bhopal, Hyderabad, Delhi, Agra, Kashmir, Mumbai, Ajme ,and Chennai.
Process 
The process of zardozi embroidery began with commodities required are add a, the wooden framework their tools, included the curved hooks, needles, salmua piece (gold wires) ,sitara, sequences, glass and plastic beads, dabkaa (thread) and kasab. The design is traced on the fabric and stretched over the wooden frame and then begin the actual work. To pull out the needle work and this process continues till the design completely created.
Identify real zari 
There are few differences between imitation and pure zari. Pure zari is softer and than imitationzari which tends a bit rough and stiff.The weight of the pure zari is heavy than the imitation one. And most important pure zari is costlier than imitation zari.

Present 
Exclusively embroidery of the royal clients has now been listed as the main trade. Many innovations took place over time and the key role is the availability of various raw materials.Thus the ancient court and temple embroidery has reached the common man with the efforts of fashion designers the livelihood of the karigars stands its mark and the embroidery relives.

Comments

Popular posts from this blog

A Arunachal Tribal Textile - Apatani Textile

Apatani Textile is a traditional handwoven fabric produced by the Apatani tribe, who Lives in the Ziro Valley of Arunachal Pradesh. These textiles are celebrated for their intricate geometric patterns and vibrant use of natural dyes. Apatani textiles are primarily used for garments such as shawls and headgear, symbolizing the tribe's rich cultural heritage. The art of weaving is deeply rooted in their traditions and passed down through generations, preserving their craftsmanship and unique techniques. The woven fabric of this tribe is known for its geometric and zigzag patterns and also for its angular designs.The Apatani community weaves its own textiles for various occasions, including rituals and cultural festivals. The tribe predominantly weaves shawls known as jig-Jiro and jilan or jackets called supuntarii. The traditional handloom of this tribe is a type of loin loom, which is called Chichin and is similar to the traditional handloom of the Nyishi tribe. It is portable, easy...

The Traditional Craft of Punjab - Phulkari Embroidery

In the 15th century, phulkari embroidery was first begun by the women folk of Punjab. A tradition of Punjab with bright and vibrant colors the phulkari is consist of two words phul means Flowers and kari mean Work. word phulkari means floral work but it is not only restricted to floral designs it also includes various motifs and geometrical patterns and shapes. The embroidery has its charm and is popular not only in India but worldwide.   Origin There are various theories about the origin of phulkari. One among them is embroidery was prevailed in most of India, But survived in Punjab. You can see a glimpse of it in Kashida of Bihar, And some parts of Rajasthan and Gujarat.  Another view is that the embroidery came from Iran, in there it is known as Gulkari. However, pal (1960) notes that both the style phulkari and Gulkari are distant. Ancient texts, folk legends, and literature of Punjab have references of phulkari. In Harshcha...

Embroidery of Manipur - Shamilami Embroidery

Shamilami embroidery is an art of weaving patterns and stitching. Popularly Shamilami embroidery is done on various clothing pieces but the highlighted clothes of them all is the border of a lungi, a wrap worn by women on their lower bodies.   History of Shamilami Embroidery  The embroidery is called Shamilami because of the animal patterns it uses. In Manipuri Shamilami means “wild animal patterned warrior cloth”. A piece of cloth with Shamilami embroidery was given to warriors by the King to acknowledge and appreciate their brave and heroic qualities. It was an honor to receive this piece of clothing and it held a high status in society.  Shamilami embroidery is also acknowledged in some parts of Nagaland. It is known as Naga Angami chaddars in Nagaland because they use Shamilami embroidery work on their shawls.