Skip to main content

kota Doria - A light weighted and greatly weaved fabric

Introduction  


Kota Doria is really comfortable, beautiful, and breezy fabric which you can wear during summers. You can’t compare this fabric with other. In the scorching summer, Kota Doria is very lightweight and comfortable fabric which you can carry it easily. This fabric makes you look adorable. Kota Doria is a blend of cotton & silk, which doesn’t harass your skin.

 Origin and history  

Kota Doria first originated in Mysore where the weavers who practiced this craft were known as ‘Masurias’. Subsequently between 17th and 18th century, the weavers were brought to Kota by Rao Kishore Singh who was a general in the Mughal Army during Shahjahan’s reign. The union between the two states brought about the invention of the ‘Kota-Masuria’ sarees, which were adorned for religious occasions since this type of material was considered auspicious. This type of saree became extremely popular and paved the way for the Kota Doria cloth. 

Sources of Inspiration 

The Rajasthani royalty favored this fabric since it portrayed effortless grace and style. The sarees were mostly white or beige in color. However, with recent changes and modifications being made to the fabric, endless amounts of color, and adornments of all kinds are included as well. Initially, the fabric was only made up of cotton, but later silk was weaved in as well, which made it more chic and refined. 

Varieties 

Kota Doria sarees and suits are available in 3 different styles: basic, printed and zari. This makes it a versatile fabric since it can be worn for either a casual or a dressy occasion. The plain sarees have checks that are mainly made of a slightly rough cotton texture or just plain gold threads. Block printing is one of the new techniques being used when it comes to adorning Kota Doria sarees, which gives it a fresh feel look. And last but definitely not the least, is the zari work which gives the saree a more graceful and stylish appearance. 

technique of production  

Kota doria saree is woven on a traditional throw shuttle pit loom in such a fashion that it creates small square check pattern in the fabric, locally called as Khat by putting the cotton and silk yarns in different densities both in the warp and weft directions. In a good quality Kota doria saree, there are about 300 to 350 ‘Khat’ across the width of the fabric. Design is developed by jala/ jacquard system. Pure zari is used in border and buti woven on extra weft designing technique. 

Interesting Facts  

Onion and water paste is used as one of the raw materials to strengthen the yarn of the fabric. 
The word ‘Doria’ basically means thread. 
Since the fabric is woven on authentic and traditional handlooms, one can notice the uneven edges at the ends of the fabric. 

Present Day Scenario 


In spite of the declining trend in manufacturing this fabric, there are close to 2500 families in various districts of Kota who are still practicing and keeping this skill alive. Even though there are some who appreciate the value and hard work that goes into this type of weaving, there has not been a great demand for it either. 

Future  
The future lies in the fact that handlooms should provide exclusive fabric meant for high couture, which constitutes for high-end market. Product diversification and skill up gradation is the main theme for growth. It is clear that weavers should not produce low-priced fabrics which can easily be formed by power loom. They have to produce exclusive varieties, which are impossible to produce in the power loom; that's good money at the same time. 

Conclusion  
At the winding up of the swot analysis of kota doria, it is imperative that customers are still being deceived by substandard power loom stuff. Poor awareness for hand-woven fabric, its hallmark and GI patent in consumers. The prime focal point is boosting consciousness in consumers regarding kota doria. The Government needs to put a pro-active measure to protect this heritage. The support from the government in terms of different schemes for technology up gradation and other financial support are required to improve the life of weavers in this area. There is a great need to improve and expand the marketing facilitated of the handloom products. 

Labels:

Comments

Post a Comment

Popular posts from this blog

A Arunachal Tribal Textile - Apatani Textile

Apatani Textile is a traditional handwoven fabric produced by the Apatani tribe, who Lives in the Ziro Valley of Arunachal Pradesh. These textiles are celebrated for their intricate geometric patterns and vibrant use of natural dyes. Apatani textiles are primarily used for garments such as shawls and headgear, symbolizing the tribe's rich cultural heritage. The art of weaving is deeply rooted in their traditions and passed down through generations, preserving their craftsmanship and unique techniques. The woven fabric of this tribe is known for its geometric and zigzag patterns and also for its angular designs.The Apatani community weaves its own textiles for various occasions, including rituals and cultural festivals. The tribe predominantly weaves shawls known as jig-Jiro and jilan or jackets called supuntarii. The traditional handloom of this tribe is a type of loin loom, which is called Chichin and is similar to the traditional handloom of the Nyishi tribe. It is portable, easy...
Post a Comment
Read more

Traditional Folk Art - Kantha Embroidery

One of the oldest and most famous forms of Indian embroidery from West Bengal and Orissa. Rural women practice this embroidery and pass it on to generations and it is also a common dowry tradition. These women not only embroidered the Kantha work on appeals but in décor also. The best thing about Kantha is that it didn’t need any additional ornamentation to make it look amazing and the reason it can be used in different forms and for various purposes. History Searching history first story believed that the earliest written record is earlier than 500 years ago. The poet krishnadas kaviraj wrote in his book Sri Sri Chaitanya Charitamrita how Chaitanya’s mother sent a homemade Kantha to her son in Puri. Kantha had quiet beginnings in the rural setting of Bengal and almost vanished in the early 19th century. Another story is believed that Lord Buddha and his discipline use old rugs with different kinds of patchwork to cover themselves and th...
Post a Comment
Read more

The Traditional Craft of Punjab - Phulkari Embroidery

In the 15th century, phulkari embroidery was first begun by the women folk of Punjab. A tradition of Punjab with bright and vibrant colors the phulkari is consist of two words phul means Flowers and kari mean Work. word phulkari means floral work but it is not only restricted to floral designs it also includes various motifs and geometrical patterns and shapes. The embroidery has its charm and is popular not only in India but worldwide.   Origin There are various theories about the origin of phulkari. One among them is embroidery was prevailed in most of India, But survived in Punjab. You can see a glimpse of it in Kashida of Bihar, And some parts of Rajasthan and Gujarat.  Another view is that the embroidery came from Iran, in there it is known as Gulkari. However, pal (1960) notes that both the style phulkari and Gulkari are distant. Ancient texts, folk legends, and literature of Punjab have references of phulkari. In Harshcha...
Post a Comment
Read more