Skip to main content

The Dream fabric of every woman - Kimkhwab Brocade

Kimkhwab is known for its heavy and luxurious form of brocade. The word Kimkhwab proclaim as tiny or little dreams which extent to mean ‘ the fabric of dreams’. Kimkhwab different known as kamkwab , kimcab, zartari Kinkhwab,  zar-baft, puspapata and few others. 
Orign

China and Japan produces tilla earlier known as Kadavi. It was a combination of silver and Tamba ( copper) which was coated with silver and gold. Later Benaras in India introduced from Tibet by the Buddhist pilgrims and gradually, adopted to the Indian subcontinent. 
Recognize in India from olden times, Kimkhwab was called Hirany, or cloth of gold, in basic literature around 1500 BC. In Gupta period around 4th -6th century AD, it was known uas Puspapata, or the cloth with woven flowers. Kimkhwab brocade was greatly famous in the Mughal era and is known as luxurious items. When British came it is used to create variety of patterns and garments over the period of time, Kimkhwab circulated among the Indian ethnic, mughal, British, Chinese, Persian and back to Indian ethnic eventually ended up in fashion all over again.
Creation process 

Heavy and intricate form of embroidery is used in the Kimkhwab which has a hug number of wefts and multi layer of wrap threads which add to the embellished look of the embroidery. If the quality of work is top class, the silk fabric under the embroidery is hardly seen. The weft thread that is used are gold, silver, silk or combination of any with maximum of seven layers of wrap thread. 
Variety and style 
The process of Kimkhwab is an extensive process and requires high level of expertise. Kimkhwab is classified on the amount of gold and silver thread used to create the fabric. Some Kimkhwab fabric is created with just silver and gold threads, this is called ‘Tashi'.Some use the colored silk threads to magnify the metallic elements, while some are done only with colored silk threads,  gold and silver sparingly. 
The lavish look of the Kimkhwab is a combination of zari embroidery style covered with multi layered wrap brocade. The layers differs from style to style, goes up to seven layers in some style of fabric And helps the Kimkhwab classification according to the layer. The three layered fabric is called tiara, four layered fabric is called chaupara and seven layered is called Satpara. While the inserted weft to create a design is usually made of gold, silver,  silk thread or combination of them. 

Maintenance 

Silk is a delicate fabric to maintain and when it comes to brocade, maintaining it is much more difficult. To protect the garment preferably a soft muslin or cotton cloth should be wrapped. The wet brocade garment should not be dried in direct sunlight as it may lead to fading. 
Present day scenario 
Due to effect of fast fashion the real Kimkhwab is limited to designers fashion and royal fashion . The reason behind, is the present’s of several low cost alternatives in the market that replace gold and silver zari with polyester alternative and are made in bulk. 
During 19th century in British era brocade trade played an important role in the country economy Surat, Benaras, Aurangabad and Ahemdbad were major hubs where producing finish Kimkhwab brocade. Presently, only Benaras is only producing and selling center of fabric while Surat and Ahemdbad stop producing this style of fabric. In recent times, south India has become a good market for Kimkhwab. 


Comments

Popular posts from this blog

Traditional Folk Art - Kantha Embroidery

One of the oldest and most famous forms of Indian embroidery from West Bengal and Orissa. Rural women practice this embroidery and pass it on to generations and it is also a common dowry tradition. These women not only embroidered the Kantha work on appeals but in décor also. The best thing about Kantha is that it didn’t need any additional ornamentation to make it look amazing and the reason it can be used in different forms and for various purposes. History Searching history first story believed that the earliest written record is earlier than 500 years ago. The poet krishnadas kaviraj wrote in his book Sri Sri Chaitanya Charitamrita how Chaitanya’s mother sent a homemade Kantha to her son in Puri. Kantha had quiet beginnings in the rural setting of Bengal and almost vanished in the early 19th century. Another story is believed that Lord Buddha and his discipline use old rugs with different kinds of patchwork to cover themselves and th...

The Traditional Craft of Punjab - Phulkari Embroidery

In the 15th century, phulkari embroidery was first begun by the women folk of Punjab. A tradition of Punjab with bright and vibrant colors the phulkari is consist of two words phul means Flowers and kari mean Work. word phulkari means floral work but it is not only restricted to floral designs it also includes various motifs and geometrical patterns and shapes. The embroidery has its charm and is popular not only in India but worldwide.   Origin There are various theories about the origin of phulkari. One among them is embroidery was prevailed in most of India, But survived in Punjab. You can see a glimpse of it in Kashida of Bihar, And some parts of Rajasthan and Gujarat.  Another view is that the embroidery came from Iran, in there it is known as Gulkari. However, pal (1960) notes that both the style phulkari and Gulkari are distant. Ancient texts, folk legends, and literature of Punjab have references of phulkari. In Harshcha...

Unusual Art of Himachal Pradesh- Chamba Embroidery

The chamba rumal is an embroidered handicraft that was once promoted in the rule of chamba kingdom. It was a common item of gifts during marriages. The chamba has been registered for protection under TRIPS agreement. It was also listed as “chamba Rumal” under the GI act 1999 of government of India.  History and origin The word Chamba rumal gets it name from chamba hill station in Himachal Pradesh. The chamba rural is originated and flourish during 18th and early 20th century, due to theme being similar to miniature painting, it also known as painting in embroidery.  Chamba rumal embroidery were gifted in the wedding ceremonies and rituals during 17th century. Gradually local craft people, especially woman, began to spread and practice the art.  Stitch techniques   Inspiration for the chamba rumals is derived from the combination of miniature art with embroidery. They are commonly in square or rectangle fabric size. The...