Skip to main content

The saree origin at the time of Chattrapati Shivaji- Narayan Peth Saree

Narayan Peth is a traditional saree weaved in and around the Sholapur district. Maharashtrian women admired the saree most. This saree is popular because of its lightness, inexpensiveness, durability, low maintenance, and smoothing texture. Mostly the saree is worn on special occasions and festivals as the saree had its charm and added to it, is the zari border.
Narayan Peth is a traditional saree weaved in and around the Sholapur district. Maharashtrian women admired the saree most. This saree is popular because of its lightness, inexpensiveness, durability, low maintenance, and smoothing texture. Mostly the saree is worn on special occasions and festivals as the saree had its charm and added to it, is the zari border.

History
The roots of the Narayan Peth sarees can be traced back to the period around 1630 AD. The innovators of Narayan peth silk were weavers in the time of Chatrapati Shivaji who settled in a village of the same title in Andra Pradesh. At that time Narayan peth is under the rule of Shivaji Maharaj. Once on traveling Chatrapati across the Narayan path he set up camp there for a few days and on continuing the travel, he left behind few weavers.
These were the weavers who started producing the silk saree with a distinct style of design which came to known as Narayan Peth sarees. This is the reason behind the influence of Maharashtrian in the Narayan peth saree.
The popularity of the saree reaches max and production flourish during the domination of the Lokapalli Samanthanam.

Material
The sarees are made from cotton, and silk yarn with zari work. The saree is made from fine silk or cotton have a thread count of a least 80, Twisted silk yarn of thickness 18/20 is only used. The cotton is obtained from the mills of Vijayawada and silk from Bangalore, while zari is from Surat.

Making process
One of the most unique and exquisite qualities of the Narayan sarees is their process of weaving where the loom has the capacity of producing 8 sarees in one go. This means, 56 yards of silk are manufactured on the loom at a single time, instead of 7 yards. In producing  different hues, natural or vegetable dyes are used. The weaving starts after the degumming, a dying and drying process. The production of the saree take 4to 5 days while the Narayan peth sarees take lesser time.

Pattern, color and motifs
Generally, plain vibrant colors with contrast color pallus and zari boarders are symbol of Narayan saree, while in cotton saree are mostly pain with colored checks sometimes to blend them that ethnic look, the pallu of Narayan peth saree has Marathi style pallu with the Patti ( strips) boarder and a boarder pallus of these sarees are traditional and it is featured by a rich pallu with pattern of alternation red and White bands. This boarder pallu known as the top – Tenni pallu. The boarder is a flat expanse of deep maroon red or chocolate red, thinly separated by white or colored lines.

Where to buy from?
A typical Narayan peth silk saree can be brought for Rs.800/- to Rs 6000/-. Nowadays designers Narayan Peth, with paithani pallu are also available as a creative combination.
Narayan peth saree are unlikely not so that common to find in any stores as the authentication of the saree is rare. These stores have reliable and variety of traditional Narayan peth saree.
- Gocoop
- Apco
- Uppada
The effortless grandeur and traditional beauty had not only stood in the hard times but also, the hearts of a present generation of women with the registration of GI tag, Narayan Peth sarees are still helping the contemporary Indian women.

  

 


Comments

Popular posts from this blog

Traditional Folk Art - Kantha Embroidery

One of the oldest and most famous forms of Indian embroidery from West Bengal and Orissa. Rural women practice this embroidery and pass it on to generations and it is also a common dowry tradition. These women not only embroidered the Kantha work on appeals but in décor also. The best thing about Kantha is that it didn’t need any additional ornamentation to make it look amazing and the reason it can be used in different forms and for various purposes. History Searching history first story believed that the earliest written record is earlier than 500 years ago. The poet krishnadas kaviraj wrote in his book Sri Sri Chaitanya Charitamrita how Chaitanya’s mother sent a homemade Kantha to her son in Puri. Kantha had quiet beginnings in the rural setting of Bengal and almost vanished in the early 19th century. Another story is believed that Lord Buddha and his discipline use old rugs with different kinds of patchwork to cover themselves and th...

The Traditional Craft of Punjab - Phulkari Embroidery

In the 15th century, phulkari embroidery was first begun by the women folk of Punjab. A tradition of Punjab with bright and vibrant colors the phulkari is consist of two words phul means Flowers and kari mean Work. word phulkari means floral work but it is not only restricted to floral designs it also includes various motifs and geometrical patterns and shapes. The embroidery has its charm and is popular not only in India but worldwide.   Origin There are various theories about the origin of phulkari. One among them is embroidery was prevailed in most of India, But survived in Punjab. You can see a glimpse of it in Kashida of Bihar, And some parts of Rajasthan and Gujarat.  Another view is that the embroidery came from Iran, in there it is known as Gulkari. However, pal (1960) notes that both the style phulkari and Gulkari are distant. Ancient texts, folk legends, and literature of Punjab have references of phulkari. In Harshcha...

Unusual Art of Himachal Pradesh- Chamba Embroidery

The chamba rumal is an embroidered handicraft that was once promoted in the rule of chamba kingdom. It was a common item of gifts during marriages. The chamba has been registered for protection under TRIPS agreement. It was also listed as “chamba Rumal” under the GI act 1999 of government of India.  History and origin The word Chamba rumal gets it name from chamba hill station in Himachal Pradesh. The chamba rural is originated and flourish during 18th and early 20th century, due to theme being similar to miniature painting, it also known as painting in embroidery.  Chamba rumal embroidery were gifted in the wedding ceremonies and rituals during 17th century. Gradually local craft people, especially woman, began to spread and practice the art.  Stitch techniques   Inspiration for the chamba rumals is derived from the combination of miniature art with embroidery. They are commonly in square or rectangle fabric size. The...