Skip to main content

The Story of Mountain Embroideryed shawl - kapdaganda shawl

Kapdaganda aka Dongaria shawls is the rich heritage of Dongaria kondh a particularly susceptible tribal group of the Niyamgiri hill range in eastern Odisha. The name Dongar means agricultural land on hill slopes.The weaving and embroidery of Kapadaganda shawls are closely associated with the tradition, festival, and ethnicity of the Dongria Kondhs, however there is no historical evidence of the origin of Kapdaganda.

Ethnic  Significant
A raw material used is the off-white coarse cloth for kapdaganda produced from the Domb community, through bartering harvested crops. Needlework uses three Different color threads embroidered with motifs.  Susceptible. Each color carries an implication personified by socio-cultural values.
 The green symbolizes their fertile mountains and hills, prosperity, and the development of the community. yellow stands for peace, smile, togetherness, health, happiness, and auspiciousness.  While, red is the symbol of energy, blood, power, and revenge. It also symbolized the ritual of deities by offering the sacrifice of animals and birds.
In early days, the tribe people used to prepare colors from leaves and flowers and thread are soak in them, But now they are buying these threads from local market. The motifs in the shawl are the reflection of the mountain’s importance by using different lines and triangular shapes.

Tradition and ritual
 The woman in Niyamgiri hills gathers in a group and engage in embroidering kapdaganda, the shawl that symbolize their cultural identity. primarily unmarried women weave the brilliant craftsmanship to gift it to their beloved ones like father or brother as the token of love. The shawl not only differentiate them from others, but empowers them with sense of belonging. Also woman gets happiness while embroidering the shawl.

 Need of revival
To preserve kapdaganda shawls endeavorments are required to compass the rich heritage of tribes.  The weaving of the shawl could also provide a livelihood for the community.
The tribes fight for their embroidered kapdaganda shawl, which is being replicated by some designers for a few years. this is one of the reasons why researchers of tribal culture and tradition feel it’s high time that the state government should get a geographical indication GI tag for Kapdaganda shawl.

 Descrease interest and revival
 Nowadays young tribe girls are no more interested in wearing a ethical shawl which were once mandatory for them. The reason is the changing lifestyle of this hilly area.
 Nonetheless, the shawl has huge demand in national and international market. Few of the designers and traders who has created cheap replicas. 
To preserve this heritage the government releases  Funds to conduct workshops to promote kapdaganda where women were participated.
 It is high time that government support is required, but also they should receive livelihood by embroidering the shawl, so that the young generation which has forgotten the culture and tradition should be trained with these culture specific skill. 
Beside training  the government should come forward by producing the product directly. This will be the opportunity for them. If the state gets GI tag for the shawl it will provide tribal weavers legal help in preventing duplication of their traditional designs.We are hopeful that this incredible art get it’s worth.

Comments

Popular posts from this blog

A Arunachal Tribal Textile - Apatani Textile

Apatani Textile is a traditional handwoven fabric produced by the Apatani tribe, who Lives in the Ziro Valley of Arunachal Pradesh. These textiles are celebrated for their intricate geometric patterns and vibrant use of natural dyes. Apatani textiles are primarily used for garments such as shawls and headgear, symbolizing the tribe's rich cultural heritage. The art of weaving is deeply rooted in their traditions and passed down through generations, preserving their craftsmanship and unique techniques. The woven fabric of this tribe is known for its geometric and zigzag patterns and also for its angular designs.The Apatani community weaves its own textiles for various occasions, including rituals and cultural festivals. The tribe predominantly weaves shawls known as jig-Jiro and jilan or jackets called supuntarii. The traditional handloom of this tribe is a type of loin loom, which is called Chichin and is similar to the traditional handloom of the Nyishi tribe. It is portable, easy...

Traditional Folk Art - Kantha Embroidery

One of the oldest and most famous forms of Indian embroidery from West Bengal and Orissa. Rural women practice this embroidery and pass it on to generations and it is also a common dowry tradition. These women not only embroidered the Kantha work on appeals but in décor also. The best thing about Kantha is that it didn’t need any additional ornamentation to make it look amazing and the reason it can be used in different forms and for various purposes. History Searching history first story believed that the earliest written record is earlier than 500 years ago. The poet krishnadas kaviraj wrote in his book Sri Sri Chaitanya Charitamrita how Chaitanya’s mother sent a homemade Kantha to her son in Puri. Kantha had quiet beginnings in the rural setting of Bengal and almost vanished in the early 19th century. Another story is believed that Lord Buddha and his discipline use old rugs with different kinds of patchwork to cover themselves and th...

The Traditional Craft of Punjab - Phulkari Embroidery

In the 15th century, phulkari embroidery was first begun by the women folk of Punjab. A tradition of Punjab with bright and vibrant colors the phulkari is consist of two words phul means Flowers and kari mean Work. word phulkari means floral work but it is not only restricted to floral designs it also includes various motifs and geometrical patterns and shapes. The embroidery has its charm and is popular not only in India but worldwide.   Origin There are various theories about the origin of phulkari. One among them is embroidery was prevailed in most of India, But survived in Punjab. You can see a glimpse of it in Kashida of Bihar, And some parts of Rajasthan and Gujarat.  Another view is that the embroidery came from Iran, in there it is known as Gulkari. However, pal (1960) notes that both the style phulkari and Gulkari are distant. Ancient texts, folk legends, and literature of Punjab have references of phulkari. In Harshcha...