Skip to main content

Tribal Shawl Of Falcon capital of the World - Naga shawl


In the past , it was reasonable to recognize a tribe by simply looking at the shawl of the wearer and periodically even think the group of villages he came from, his social status, and the number of ritual feasts he had performed.
One of the common characteristics of a Naga shawl is that three pieces are woven individually and stitched together. The central line is more decorated than the other two, which normally have more or less the same pattern. The Naga designs differ from a formal structure of lines to detailed patterns of diamonds and capsule shapes. Simple straight lines, stripes, squares, and bands, varying in width color, and arrangement are the most traditional design and motifs. Each tribe has its distinct patterns.
History
Naga Shawl History goes back to generations and centuries when the Shawl was worn as a pride of the warrior class of Nagaland. There are basically 16 different tribes in Nagaland. Each of the tribes have their own traditions and practices. Naga Shawls are woven differently by different tribes and the only similarity is that it is handmade and made out of the finest wools.In the textile history of  India, the warrior shawls of  Nagaland have a special place. We have 16 major tribes in Nagaland and the warrior shawls of each differ a lot.

Kinds of shawls
The variety of naga shawls are much more depending on the status, warrior, bravery, age, and work. Few of the shawls are-

Tsungkotepsu:
 This is an exclusive male shawl and the most characteristic dress of the Ao tribe.  Exclusively for men, this shawl may be worn only by someone who has taken heads in war.
Angami:
 This is a black shawl with thick bold embroidered animal motifs. Worn by warriors of the Angami tribe, the shawl carries an entire range of wild animals against a black background divided into horizontal panels by woven bands of color.
Supong
It is a typical Naga shawl worn by the Sangtam tribe.This is supposed to be used by rich people. The shawl on a black base has four grey bands at the top and another four bands of the same color at the bottom.
Rongkhim:
 It is one of the most attractive  shawl worn by Yimchunger Naga tribe. The shawl is in red and black with narrow grey bands at the two edges. This shawl is mainly worn by warriors of great renown.
Tsungrem Khim
It is exclusively meant for women and very popular.
Lotha
This is a typical Naga shawl worn by the Lotha tribe. The shawl has several patterns that indicate the number of social feasts given by the wearer.
Khekaisa:
 This is a shawl to be worn by only the elected public leaders or  the elected public representatives wear.
Loukaisa
The special shawl for ladies is known as Loukaisa. Naga women are excellent weavers and the colourful shawls, woven by them are extremely popular. A number of traditions and beliefs are also associated with the weaving and wearing of the traditional dress.
A chang cloth requires all the zig-zag lines to fall uniformly, or else the young warrior wearing it  may die a premature death.
shatni
 When a Konyak woman gets married she wears a Shatni shawl which is preserved and later used only to wrap her dead body.

Present day

A surplus of new patterns and motifs has been introduced too, to reflect the younger generation’s  modern choices. A women’s co-operative weaving society based in Kohima village set the trend with its progressive designs about a decade ago. 

There is such a great demand from tourists for the Naga shawls that the Indian Chamber of Commerce has filed an application seeking registration of traditional Naga designs with the Geographical Indications Registration System in India. We are hopeful that the shawl will survive in the contemporary world.

Comments

Popular posts from this blog

An Evolving tradition of Rajasthan - Sanganeri Block print

 A village in the southern part of Jaipur, Rajasthan named Sanganer where the sanganeri block print blossomed. The print is well known for the textile and also for the paper block print.  Hand block print is done in various places and each one adds to the cultural, historical, and geographical influences of the regional variety having a particular style of its own. History It is indicated that the art prevailed since the 12th century but during the 16th and 17th centuries, the craft found its heaven in the sanganer, where it flourished, as the place is ideal with the soft water of Saraswati river, clay, and also desirable for the sun bleach of the fabric. Sanganer is one of the major centers that are highly known for the block prints with bright colors and delicate lines printed against the white background.  During the period of Maharaja Sawai Jai Singh, the patronage of the Jaipur royal family invited Craftsman from Gujarat and Andhra for develop...

khadi- A Swadishi Fabric of India

Khadi was introduced to the people of undivided India in 1918 in order to achieve self-sufficiency and independence from British textiles. Khadi movement, a socio-cultural narrative, was launched by Gandhiji from the Satyagraha Ashram in May 1915, popularly known as the Sabarmati Ashram, in the Ahmedabad district, Gujarat. Technically, khadi can refer to any natural fabric that is hand-spun and handwoven, be it cotton, silk, jute or wool. While mill-made cloth is essential to satisfy the textile demands of the Indian market, khadi is a precious craft deeply intertwined with India’s story. More importantly, it is highly sustainable. History The word khadhi is derived from khaddar, aterm used for the handspun fabric of India. The origin of khadhi trace back to Indus valley civilization. Evidence of handspun cotton, which makes khadhi ancient. As the year progressed, it found itself named muslin, chintz, and calico. Process Cotton cultivation : cotton...

Traditional Folk Art - Kantha Embroidery

One of the oldest and most famous forms of Indian embroidery from West Bengal and Orissa. Rural women practice this embroidery and pass it on to generations and it is also a common dowry tradition. These women not only embroidered the Kantha work on appeals but in décor also. The best thing about Kantha is that it didn’t need any additional ornamentation to make it look amazing and the reason it can be used in different forms and for various purposes. History Searching history first story believed that the earliest written record is earlier than 500 years ago. The poet krishnadas kaviraj wrote in his book Sri Sri Chaitanya Charitamrita how Chaitanya’s mother sent a homemade Kantha to her son in Puri. Kantha had quiet beginnings in the rural setting of Bengal and almost vanished in the early 19th century. Another story is believed that Lord Buddha and his discipline use old rugs with different kinds of patchwork to cover themselves and th...